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Born in a small French commune in the Drôme département and belonging to a poor peasant family, Ferdinand Cheval dropped out of school at the age of 13 to become a baker’s apprentice. After years of apprenticeship, he became a postman and was posted to Hauterives where a benign accident led to the creation of something so fantastical it intrigued even Picasso. His work is considered a remarkable example of naïve art architecture, art that is created by someone with no formal training like the art by French post-impressionist painter Henri Rousseau. Here’s more about Ferdinand Cheval and his labor of love, the Palais Idéal.

In April 1879, while doing his rounds, 43-year-old Ferdinand Cheval tripped over an unusual-looking stone and almost fell. He pocketed the stone and when he came back the next day he found many even more interesting stones.



Inspiration struck him when he saw the stones. So, every day while doing his rounds of about 29 kilometers (18 miles), he would pick up stones, put them in his pocket, and take them home.



Cheval soon had to switch to using a basket and then to a wheelbarrow to carry the stones.



For 33 years, he continued collecting the stones and at home, in the night, he would build his  Palais Idéal by the light of an oil lamp despite the ridicule and criticism he faced from neighbors.



He spent the first 20 years building the outer walls and the outer sculptures, binding the stones with lime, mortar, and cement.



The Palais Idéal is a mixture of different architectural styles drawing inspiration from various religions including Christianity and Hinduism.



The palace is populated by many animals including octopus, caiman, elephant, bear, and birds, as well as fantastical creatures such as giants and fairies. It also features mythical creatures.



In 1894, while still working on the outer walls, his 15-year-old daughter, Alice, died.



In 1896, 60-year-old Cheval, now retired, started his second building project near the palace with the help of a mason. He named it the Alicius Villa and dedicated it to his daughter.



By 1912, Cheval finished building his palace as another tragedy struck him in the form of his son Cyril’s death. Two years later his wife died too.



He received recognition for the palace from eminent personalities like French poet, writer, and founder of surrealism André Breton, Spanish painter Pablo Picasso, German artist Max Ernst who created a collage called The Postman Cheval in 1932, and by American writer Anaïs Nin.



Cheval wanted to be buried in his Palais Ideal when he died but was denied permission.



So, he spent the next eight years building a mausoleum for himself called The Tomb of Silence and Endless Rest in the Hauterives Cemetery and finished it in 1922.



He died on August 19, 1924, at the age of 88 and was buried in the mausoleum he built for his burial.



Ferdinand Cheval’s Palais Idéal was declared a cultural landmark in 1969 by André Malraux, the Minister of Culture. His tomb and Alicius Villa are also registered as historic monuments.




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